Faculty Connections
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Jae Emerling

Art & Art History
Summary

Office: Rowe 212
Phone: 704-687-0180
Email: j.emerling@uncc.edu

Academic Interests
Architecture
art
art history
contemporary art
modern art
photography
visual arts
Related People
Mary Tuma
Peter Wong
Vaughn Schmutz
Greg Snyder
David Fillmore
Lidia Klein
Kyoung-Hee Kim
David Gall
Jennifer Wallace
Erik Waterkotte
Jefferson Ellinger
Andrew Leventis
David Thaddeus
Mona Azarbayjani
Thomas Forget
Jane Dalton
Jeff Balmer
Ken Lambla
Liz McCormick
Jamie Franki
Chengde Wu
Eldred Hudson
Nadia Anderson
Blaine Brownell
Anna Kenar
Ann Kluttz
Malena Bergmann
David Costanza
Keith Bryant
Elizabeth Yoder
Jose Gamez
Janet Williams
Aspen Hochhalter
Robert Campbell
Bonnie Noble
Dimitrios Papanikolaou
Ming-Chun Lee
Kelly Carlson-Reddig
Lydia Thompson
Jim Frakes
Marc Manack
Eric Sauda
Nancy Bishop
Emily Makas
Celia Sinclair
Lee Gray
Rachel Dickey
Thomas Schmidt
Deborah Ryan
Lisa Homann
Heather Freeman
Catty Dan Zhang
Brook Muller
Deborah Wall
Kristin Rothrock
Angela Rajagopalan
Chris Jarrett
Betsy West
Marek Ranis
David Brodeur
Jessica "J.B." Burke
Maja Godlewska
Jeff Murphy
Cynthia Frank
Jae Emerling is a Professor of Art History in the Department of Art & Art History and is the Director of the College of Arts + Architecture’s Honors Program. In 2011 he was visiting professor of contemporary art in the Faculty of Arts at VU Amsterdam. He received his Ph.D. in Art History from the University of California, Los Angeles.  He is the author of Theory for Art History (2005) and award-winning Photography: History and Theory (2012), both published by Routledge.  His work has also appeared in the Journal of Visual Culture, History of Photography, Radical Philosophy, CAA Reviews, Journal of Art Historiography, and the Los Angeles based magazine X-TRA: Contemporary Art Quarterly.  He is currently working on a book about the aesthetic-historiographic concept of transmissibility.  Some of this work has recently appeared in Contemporary Art about Architecture (2013), Bergson and The Art of Immanence: Painting, Photography, Film (2013), and a special issue of the Journal of Visual Culture entitled Architecture! (2016). Recent publications include:
  • Emerling, “Transmissibility: A Mode of Artistic Re-search,” The Dark Precursor: Deleuze and Artistic Research, edited by Paulo de Assis and Paolo Giudici, Leuven: Leuven University Press, 2017: 437-445.
  • Emerling, “To Betray Art History,” Journal of Art Historiography, Special issue A Tribute to Donald Preziosi, edited by Philip Armstrong and Jae Emerling, December 2015:  https://arthistoriography.files.wordpress.com/2016/11/emerling.pdf
  • Emerling, “An Art Historical Return to Bergson,” Bergson and the Art of Immanence, edited by John Mullarkey and Charlotte de Mille, Edinburgh: Edinburgh University Press, 2013:  260-271.
  • Emerling, “Kunstgriff: Art as Event, Not Commodity,” with Donald Preziosi, Esse: Arts + Opinions special volume Taking a Stance, v. 85, Fall 2015: 7-11.
  • Emerling, “To Render Time Sensible,” Journal of Art Historiography, November 2015: https://arthistoriography.wordpress.com/2015/11/20/book-review-jae-emerling-on-keith-moxey-visual-time-the-image-in-history/
  • Emerling, review of T.J. Demos’s Return to the Postcolony: Spectres of Colonialism in Contemporary Art and The Migrant Image: The Art and Politics of Documentary during Global Crisis, caa.reviews, Fall 2014.
View his faculty profile at coaa.uncc.edu >>
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